What to do

Note to teacher: This Internal Assessment Activity may be used unchanged, or can be adapted by the teacher, ensuring that all requirements of the Achievement Standard are still met. This textbox should be removed prior to sharing the activity with your students.

Note to teacher: This Internal Assessment Activity may be used unchanged, or can be adapted by the teacher, ensuring that all requirements of the Achievement Standard are still met. This textbox should be removed prior to sharing the activity with your students.

You will work together in groups of 3-5 to create a 2-5 minute drama on a topic that inspires your group.

Whanaungatanga is kaupapa Māori that is key to creative strategies. Promoting whanaungatanga will help you to uphold the mana of the group and the story you are performing, and provide a collaborative path for making your drama.

First: Stimulus Text

  • Use text as a starting point to come up with a shared idea for the devised drama. For example, your stimulus text could be a play, a visual text, a poem, or a short story.
  • In your group, brainstorm and share stories, events, ideas, and topics from texts that you have discovered and that inspire you. Accept and contribute ideas while upholding and uplifting the mana of the group.
  • Agree on a shared key message or vision for the drama. Start to think of what the title of your drama might be. This will involve sharing ideas, so be sure to accept and contribute ideas while upholding the mana of the group.

Second: Research and gather

  • Gather different ideas and feelings people have about the key message.
  • Wānanga with your group. Share knowledge and possibilities for research to be done so that you have all the information you need to create a coherent drama.
  • Research ideas to communicate the key message in your drama. This research might include practice-based research, such as physically trying out conventions or movements or vocal activities.
  • Research how different conventions might be used to emphasise specific elements of drama.
  • Kōrero with your group about the form and structure your drama may take.
  • Talk with your group about the things you are doing that are helping promote whanaungatanga.

Third: Explore and experiment

  • Improvise and experiment with conventions based on the ideas and stories you have shared.
  • Trial conventions to develop elements of role, time, place, situation, mood, focus, and symbol.
  • Contribute and respond to ideas as you go through this process.
  • Reflect on and refine your shared vision for the drama.
  • Reflect with your group on how whanaungatanga is being built in your group, the collaborative skills you are developing in this respect and what you find challenging in your mahi.

Fourth: Structure

  • Use conventions with purpose. Start the process of selecting, structuring, and refining your drama. This will involve taking everything you have gathered and selecting a small piece or pieces of dramatic material to create your drama.
  • Negotiate and extend ideas as you work through the devising process. Keep track of the kōrero you have with your group when you are negotiating ideas so that you can include evidence of the decisions and contributions you have made in the evidence that you will include in your portfolio.
  • Refine your title if required. Check that the title and key message of the devised drama have informed your selection of elements and conventions so that you have enhanced the storytelling.

Fifth: Refine and perform

Work together to edit and refine dramatic ideas in your devised drama to realise your shared ideas and vision for the drama:

  • Refine your drama. Use ‘outside eye’ processes to get feedback from an audience perspective. You can do this by watching and reflecting on a recorded video of your group performing your devised drama. Another option is to perform your devised drama in front of another group and ask for feedback.
  • Rehearse your devised drama with your group. It is through this process that your group will be able to continuously refine and memorise their lines and roles for your devised drama performance. There is no need for you to write a script.
  • Perform your drama for an audience.

Sixth: Reflection Collate your portfolio

You will prepare an individual portfolio showing how you have created and refined your devised drama with the use of creative strategies. This individual portfolio can consist of the following:

  • Examples of how you promoted whanaungatanga during the collaborative process while negotiating and extending ideas.
  • Discussions of how you contributed or accepted ideas when selecting elements and conventions to create a coherent devised drama.
  • reflection on:
    • the value of whanaungatanga to support collaborative mahi
    • how the title and key message of the drama informed your selection of elements and conventions to enhance expression and storytelling.

You can provide this evidence using visual, oral, or written reflections (or a combination of these), or in a way that suits your learning style.

You will work together in groups of 3-5 to create a 2-5 minute drama on a topic that inspires your group.

Whanaungatanga is kaupapa Māori that is key to creative strategies. Promoting whanaungatanga will help you to uphold the mana of the group and the story you are performing, and provide a collaborative path for making your drama.

First: Stimulus Text

  • Use text as a starting point to come up with a shared idea for the devised drama. For example, your stimulus text could be a play, a visual text, a poem, or a short story.
  • In your group, brainstorm and share stories, events, ideas, and topics from texts that you have discovered and that inspire you. Accept and contribute ideas while upholding and uplifting the mana of the group.
  • Agree on a shared key message or vision for the drama. Start to think of what the title of your drama might be. This will involve sharing ideas, so be sure to accept and contribute ideas while upholding the mana of the group.

Second: Research and gather

  • Gather different ideas and feelings people have about the key message.
  • Wānanga with your group. Share knowledge and possibilities for research to be done so that you have all the information you need to create a coherent drama.
  • Research ideas to communicate the key message in your drama. This research might include practice-based research, such as physically trying out conventions or movements or vocal activities.
  • Research how different conventions might be used to emphasise specific elements of drama.
  • Kōrero with your group about the form and structure your drama may take.
  • Talk with your group about the things you are doing that are helping promote whanaungatanga.

Third: Explore and experiment

  • Improvise and experiment with conventions based on the ideas and stories you have shared.
  • Trial conventions to develop elements of role, time, place, situation, mood, focus, and symbol.
  • Contribute and respond to ideas as you go through this process.
  • Reflect on and refine your shared vision for the drama.
  • Reflect with your group on how whanaungatanga is being built in your group, the collaborative skills you are developing in this respect and what you find challenging in your mahi.

Fourth: Structure

  • Use conventions with purpose. Start the process of selecting, structuring, and refining your drama. This will involve taking everything you have gathered and selecting a small piece or pieces of dramatic material to create your drama.
  • Negotiate and extend ideas as you work through the devising process. Keep track of the kōrero you have with your group when you are negotiating ideas so that you can include evidence of the decisions and contributions you have made in the evidence that you will include in your portfolio.
  • Refine your title if required. Check that the title and key message of the devised drama have informed your selection of elements and conventions so that you have enhanced the storytelling.

Fifth: Refine and perform

Work together to edit and refine dramatic ideas in your devised drama to realise your shared ideas and vision for the drama:

  • Refine your drama. Use ‘outside eye’ processes to get feedback from an audience perspective. You can do this by watching and reflecting on a recorded video of your group performing your devised drama. Another option is to perform your devised drama in front of another group and ask for feedback.
  • Rehearse your devised drama with your group. It is through this process that your group will be able to continuously refine and memorise their lines and roles for your devised drama performance. There is no need for you to write a script.
  • Perform your drama for an audience.

Sixth: Reflection Collate your portfolio

You will prepare an individual portfolio showing how you have created and refined your devised drama with the use of creative strategies. This individual portfolio can consist of the following:

  • Examples of how you promoted whanaungatanga during the collaborative process while negotiating and extending ideas.
  • Discussions of how you contributed or accepted ideas when selecting elements and conventions to create a coherent devised drama.
  • reflection on:
    • the value of whanaungatanga to support collaborative mahi
    • how the title and key message of the drama informed your selection of elements and conventions to enhance expression and storytelling.

You can provide this evidence using visual, oral, or written reflections (or a combination of these), or in a way that suits your learning style.

How to present your learning

There are two key parts to show your learning for this standard. A performance and a portfolio of learning.

  1. Your performance

You will perform your devised drama of 2-5 minutes.

  1. Your portfolio of learning

Your kaiako will observe your participation during the process and have regular kōrero with your group. You must collect evidence of your participation in creative strategies as you go through the process of creating and refining your devised drama. You will submit a curated individual portfolio of this collection of evidence.

This can be presented as:

  • a selection of gathered material collated into 5-10 slides — this should be of up to 4 minutes in duration and evidence could include:
    • teacher observation of kōrero or group discussions
    • improvisation work or performance work in progress
    • annotated photographs
    • wānanga which you have reflected or commented on — this could be oral, written, or visual

or

  • a selection of gathered material not exceeding 700 words or 4 minutes.

There are two key parts to show your learning for this standard. A performance and a portfolio of learning.

  1. Your performance

You will perform your devised drama of 2-5 minutes.

  1. Your portfolio of learning

Your kaiako will observe your participation during the process and have regular kōrero with your group. You must collect evidence of your participation in creative strategies as you go through the process of creating and refining your devised drama. You will submit a curated individual portfolio of this collection of evidence.

This can be presented as:

  • a selection of gathered material collated into 5-10 slides — this should be of up to 4 minutes in duration and evidence could include:
    • teacher observation of kōrero or group discussions
    • improvisation work or performance work in progress
    • annotated photographs
    • wānanga which you have reflected or commented on — this could be oral, written, or visual

or

  • a selection of gathered material not exceeding 700 words or 4 minutes.

Timeframe

  • Your kaiako will provide the timeframe for this Assessment Activity. You will have check-ins and final due dates:
  • Five reflections will be recorded during the devising process:
    • Date 1: ____________.
    • Date 2: ____________.
    • Date 3: ____________.
    • Date 4: ____________.
    • Date 5: ____________.
  • The performance of your refined devised drama will be ______________.
  • Your statement submission date will be ________________.
  • Your kaiako will provide the timeframe for this Assessment Activity. You will have check-ins and final due dates:
  • Five reflections will be recorded during the devising process:
    • Date 1: ____________.
    • Date 2: ____________.
    • Date 3: ____________.
    • Date 4: ____________.
    • Date 5: ____________.
  • The performance of your refined devised drama will be ______________.
  • Your statement submission date will be ________________.

Getting started

With your group, you will discuss and reflect on the themes or topics you discovered exploring the text Mauri Tū by Hone Kouka (1992). In discussion with your kaiako, you may be able to explore another text. Your group will research and find relevant resources on a topic that upholds the mana of your story or idea.

Think about:

  • whanaungatanga, manaakitanga, and kotahitanga in the way we work together to share our stories and acknowledge mana
  • the purpose of storytelling through performance
  • how drama elements and conventions are used to shape, structure, and enhance drama
  • how you could collect the following material to share what you have learned:
    • teacher observation of work in progress — kōrero, negotiation, improvisation, performance, or a combination of these
    • discussion which is either filmed, audio-recorded, or written
    • annotated photographs placed in a digital folder
    • annotated sketches of storyboard information
    • audio-visual recordings of work in progress
    • recorded wānanga.

With your group, you will discuss and reflect on the themes or topics you discovered exploring the text Mauri Tū by Hone Kouka (1992). In discussion with your kaiako, you may be able to explore another text. Your group will research and find relevant resources on a topic that upholds the mana of your story or idea.

Think about:

  • whanaungatanga, manaakitanga, and kotahitanga in the way we work together to share our stories and acknowledge mana
  • the purpose of storytelling through performance
  • how drama elements and conventions are used to shape, structure, and enhance drama
  • how you could collect the following material to share what you have learned:
    • teacher observation of work in progress — kōrero, negotiation, improvisation, performance, or a combination of these
    • discussion which is either filmed, audio-recorded, or written
    • annotated photographs placed in a digital folder
    • annotated sketches of storyboard information
    • audio-visual recordings of work in progress
    • recorded wānanga.

Student resources

Mauri Tū by Hone Kouka.

Meet the playwright: Hone Kouka (Playmarket, 2013)

Examples of activities that support participation in a devising process. 

Descriptions of drama elements and conventions (the tools and building blocks to devising drama).

Recorded sound

Te Kū Te Whē Remixed by Hirini Melbourne & Richard Nunns (1994) — A mix of Taonga Pūoro and contemporary Aotearoa New Zealand music.

Taonga Pūoro:

Mauri Tū by Hone Kouka.

Meet the playwright: Hone Kouka (Playmarket, 2013)

Examples of activities that support participation in a devising process. 

Descriptions of drama elements and conventions (the tools and building blocks to devising drama).

Recorded sound

Te Kū Te Whē Remixed by Hirini Melbourne & Richard Nunns (1994) — A mix of Taonga Pūoro and contemporary Aotearoa New Zealand music.

Taonga Pūoro:

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