What to do

You will select a local story or issue from a context outside of kaupapa Māori. This may be, for example, a personal narrative, current event or fictional narrative. Your performance of an item of Te Ao Haka will respond to your chosen story or issue. You will aim to perform the item so that the kaupapa is clear. You will perform your piece in class. 

Part 1

Select a story or issue from outside of a kaupapa Māori context. You may work in groups or individually. Choose something meaningful to you, such as a story or issue associated with your local area, somewhere else you have lived, or to which you have a connection.

Consider:

  • what key features of Te Ao Haka you will use in your performance
  • what the most important moments within the narrative are, and what you want your audience to understand about your chosen kaupapa
  • how you will communicate those moments in your performance using your key features.

Part 2

Rehearse your item. Wānanga with your group to solve problems and work out how to enhance your performance. Record or have your rehearsals observed for feedback.

Ask yourself if you are:

• expressing the narrative and kaupapa of your item clearly

• bringing your chosen key features together in a way that improves the communication of your kaupapa

• performing in a way that will engage an audience.

You will select a local story or issue from a context outside of kaupapa Māori. This may be, for example, a personal narrative, current event or fictional narrative. Your performance of an item of Te Ao Haka will respond to your chosen story or issue. You will aim to perform the item so that the kaupapa is clear. You will perform your piece in class. 

Part 1

Select a story or issue from outside of a kaupapa Māori context. You may work in groups or individually. Choose something meaningful to you, such as a story or issue associated with your local area, somewhere else you have lived, or to which you have a connection.

Consider:

  • what key features of Te Ao Haka you will use in your performance
  • what the most important moments within the narrative are, and what you want your audience to understand about your chosen kaupapa
  • how you will communicate those moments in your performance using your key features.

Part 2

Rehearse your item. Wānanga with your group to solve problems and work out how to enhance your performance. Record or have your rehearsals observed for feedback.

Ask yourself if you are:

• expressing the narrative and kaupapa of your item clearly

• bringing your chosen key features together in a way that improves the communication of your kaupapa

• performing in a way that will engage an audience.

How to present your learning

Perform an item of Te Ao Haka in response to your chosen issue or story in a classroom setting. This will be recorded for moderation purposes.  

Inform your teacher of your chosen narrative or issue before your performance. They should be able to understand what you are trying to communicate from your performance. 

Perform an item of Te Ao Haka in response to your chosen issue or story in a classroom setting. This will be recorded for moderation purposes.  

Inform your teacher of your chosen narrative or issue before your performance. They should be able to understand what you are trying to communicate from your performance. 

Timeframe

Teacher to provide.

Teacher to provide.

Getting started

What are some stories or issues from outside a kaupapa Māori context that you have a connection to and would like to communicate in your performance? What key features can you use in performance to make your narrative clear?

Examples of key features include:

  • wiri
  • rere (o te poi)
  • takahi
  • stance
  • reo/ hāngū
  • pūkana
  • whakakai
  • tūwaewae
  • mahinga rākau
  • formations.

What are some stories or issues from outside a kaupapa Māori context that you have a connection to and would like to communicate in your performance? What key features can you use in performance to make your narrative clear?

Examples of key features include:

  • wiri
  • rere (o te poi)
  • takahi
  • stance
  • reo/ hāngū
  • pūkana
  • whakakai
  • tūwaewae
  • mahinga rākau
  • formations.